The Radical Potential of Blindness, Art Journal, Vol 76, Issue 3-4, 2018.
I Asked Her, Unbag, Issue 2, Winter, 2018.
Orienting Through Blindness: Blundering, Be-Holding and Wayfinding as Artistic and Curatorial Methods, Performance Paradigm, Issue 13, 2017.
Why Art Matters. Catalogue Text. Refugees, Casula Powerhouse, 2016.
[SELF-TRANSLATION, RETRANSLATION] [AFTER FLUSSER] [EXCERPTS: THE MUSEUM OF HOLOGRAMS AND O-, F K-X D 2015]. ELP 4, Melbourne: Christopher L G Hill, 2015.
Now You See the Light, Man. Stationary, Hong Kong: Spring Workshop, 2015
Branches. Exhibition Text. Hossein Valamanesh, Casula Powerhouse, 2014
Optical Co-Efficiency. NEW 14, Australian Centre for Contemporary Art, 2014
Please Insert This As The New Preface (I know a change is gonna come)/Reordering the Cosmos, Westspace Journal, Issue 2, Summer, 2013
Dispersed Truths and Displaced Memories: Extraterritorial Witnessing and Memorialising by Diaspora through Public Art. Art of Transitional Justice. Ed. Peter Rush and Olivera Simic. New York: Springer, 2013
un précis (6.1): mostly conclusions and a few introductions. Endless Lonely Planet, Issue 2, Melbourne: Christopher L G Hill, 2013
Feel the Fear. Exhibition Text. Tony Garifalakis, Affirmations, Daine Singer Gallery, 2012
Dear Chris. Exhibition Text. Christopher L.G.Hill, Problem Poem, Conical, 2012
Instant Gratification. Review. Artpals, December, 2011
When Cracks Appear: Pat Foster and Jen Berean and Broken Windows. Discipline, Issue 1, 2011
Notes from a Cretaceous World: Review. un Magazine, Issue 4.2, 2010
End Times. Catalogue Essay. Omega, Margaret Lawrence Gallery, 2010
Blackout. Exhibition Text. Tony Garifalakis, Bad Scene, Uplands Gallery, 2010
Stuff and Nonsense. Exhibition Text. Lisa Radford and Kati Rule, De Tetris Totems, Sutton Projects, 2010
James Deutsher: horoscope ecologies + We Are Building A Civilised Space Here. Review. Artpals, January, 2010
Let’s All Go to Iraq. un Magazine, Vol.2, Issue 1, 2008
Waste Not, Want Not? Dirty Secrets and a Fetish for Trash. Catalogue Essay. Ash Keating et al., 2020?, Next Wave Projects, 2008
Forthcoming: Angela Brennan, Angela Brennan. Muckleford: 3-ply, 2018
Forthcoming: Joshua Petherick. Muckleford: 3-ply, 2018.
Re-print #3: I Have No Time (1983 ), Mladen Stilinović. Muckleford: 3-ply, 2016
HEROES – Fanfiction, 3-ply x Centre for Style, featuring Monica's Gallery and Jessie Kiely, with contributions from: Adam Wood, Anna-Sophie Berger, Aurelia Guo, Brendan Morris, Bror August, Caley Feeney, Chloé Elizabeth Maratta, Claire Barrow, D&K, Dara Allen, Eric Mack, Galen Erickson thanks to Matthew Drury, Callum Hawke, Oscar Khan and Arthur Marie, George Egerton-Warbuton, Giovanna Flores, Grace Anderson, H.B. Peace, Hamishi Farah, Hana Earles, Harry Burke, Jake Levy, Jessie Kiely, Joseph Geagan, Josey Kidd-Crowe, Kate Meakin, Kulisek-Lieske, Laura Fanning, Matty Bovan, Mel Paget, Milo Conroy, Misty Pollen, Nora Slade and Peter Guffield Linden, Rafael Delacruz, Rare Candy, Richard Malone, Ruth O’Leary, Ryohei Kawanishi, Sasha Geyer, Shahan Assadourian, Sophie Hardeman, Spencer Lai, Stefan Schwartzman, and Wiley Guillot. Muckleford: 3-ply, 2016
124,908, Tara McDowell. Muckleford: 3-ply, 2016
Habits and customs of _______ are so different from ours so that we visit them with the same sentiment that we visit exhibitions, Lu Huanzhi, Ho Tzu Nyen, Li Liao, Irena Haiduk, Siniša Ilić. Paris: Kadist and 3-ply, 2016
A Material Turn, Rebecca Coates et al. Muckleford: 3-ply, 2015
Foot-Notes, 3-ply et al. Muckleford: 3-ply, 2015
Painting is a Critical Form, Helen Johnson. Muckleford: 3-ply, 2015
Re-print #2: Shanghai Fax (1996) “Let’s Talk About Money”, Hank Bull, Shi Yong, Ding Yi,
Shen Fan, Zhou Tiehai et al. Muckleford: 3-ply, 2015
Re-print #1: 1 2 3 (1992), Stephen Bram. Muckleford: 3-ply, 2014
Tink Thank, Christopher L G Hill. Muckleford/Portland: 3-ply/Poly:be, 2014
More Than What There Is, Elizabeth Newman. Muckleford: 3-ply, 2013
Some Kinds of Duration, Nicholas Mangan. Muckleford: 3-ply, 2012
Matt Hinkley, Matt Hinkley. Melbourne: The Narrows, 2009