Re-describing the Periphery. San Francisco: SFMOMA, 2019. (Forthcoming)

Mother-Hooded. Exhibition Text. Noriko Nakamura, The force that the warrior adopts during the evolution of the pale pink rose, Melbourne: Caves, 2019.

Notes for Co-Becoming. Catalogue Text. Katie West, Clearing, Healesville: TarraWarra Museum of Art, 2019.

Kushana Bush: Actors Unmoored by the Wind. Collection Text. Fifty Works in the Monash University Collection, MUMA, 2019.

The Radical Potential of Blindness, Art Journal, Vol 76, Issue 3-4, 2018

The Gravity, The Levity: Let Us Speak of Tactile Encounters. Co-authored with Georgina Kleege. Disability Studies Quarterly, Vol 38, No 3, 2018.

I Asked Her, Unbag, Issue 2, Winter, 2018.

Orienting Through Blindness: Blundering, Be-Holding and Wayfinding as Artistic and Curatorial Methods, Performance Paradigm, Issue 13, 2017.

Why Art Matters. Catalogue Text. Refugees, Sydney: Casula Powerhouse, 2016.


Now You See the Light, Man. Stationary, Hong Kong: Spring Workshop, 2015

Branches. Exhibition Text. Hossein Valamanesh, Sydney: Casula Powerhouse, 2014

Optical Co-Efficiency. Catalogue Text. NEW 14, Melbourne: Australian Centre for Contemporary Art, 2014

Please Insert This As The New Preface (I know a change is gonna come)/Reordering the Cosmos, Westspace JournalIssue 2, Summer, 2013

Dispersed Truths and Displaced Memories: Extra­territorial Witnessing and Memorialising by Diaspora through Public Art. Art of Transitional Justice. Ed. Peter Rush and Olivera Simic. New York: Springer, 2013

un précis (6.1): mostly conclusions and a few introductions. Endless Lonely Planet, Issue 2, Melbourne: Christopher L G Hill, 2013

Feel the Fear. Exhibition Text. Tony Garifalakis, Affirmations, Melbourne: Daine Singer Gallery, 2012

Dear Chris. Exhibition Text. Christopher L.G.Hill, Problem Poem, Melbourne: Conical, 2012

Instant Gratification. Review. Artpals, December, 2011

When Cracks Appear: Pat Foster and Jen Berean and Broken Windows.  Discipline, Issue 1, 2011

Notes from a Cretaceous World: Review. un Magazine, Issue 4.2, 2010

End Times. Catalogue Essay. Omega, Melbourne: Margaret Lawrence Gallery, 2010

Blackout. Exhibition Text. Tony Garifalakis, Bad Scene, Melbourne: Uplands Gallery, 2010

Stuff and Nonsense. Exhibition Text. Lisa Radford and Kati Rule, De Tetris Totems, Melbourne: Sutton Projects, 2010

James Deutsher: horoscope ecologies + We Are Building A Civilised Space Here. Review. Artpals, January, 2010

Let’s All Go to Iraq. un Magazine, Vol.2, Issue 1, 2008

Waste Not, Want Not?  Dirty Secrets and a Fetish for Trash.  Catalogue Essay.  Ash Keating et al., 2020?, Next Wave Projects, 2008


Forthcoming: Joshua Petherick. Muckleford: 3-ply, 2019.

Angela Brennan, Angela Brennan. Muckleford: 3-ply, 2019

Re-print #3: I Have No Time (1983 [1979]), Mladen Stilinović. Muckleford: 3-ply, 2016

HEROES – Fanfiction, 3-ply x Centre for Style, featuring Monica's Gallery and Jessie Kiely, with contributions from: Adam Wood, Anna-Sophie Berger, Aurelia Guo, Brendan Morris, Bror August, Caley Feeney, Chloé Elizabeth Maratta, Claire Barrow, D&K, Dara Allen, Eric Mack, Galen Erickson thanks to Matthew Drury, Callum Hawke, Oscar Khan and Arthur Marie, George Egerton-Warbuton, Giovanna Flores, Grace Anderson, H.B. Peace, Hamishi Farah, Hana Earles, Harry Burke, Jake Levy, Jessie Kiely, Joseph Geagan, Josey Kidd-Crowe, Kate Meakin, Kulisek-Lieske, Laura Fanning, Matty Bovan, Mel Paget, Milo Conroy, Misty Pollen, Nora Slade and Peter Guffield Linden, Rafael Delacruz, Rare Candy, Richard Malone, Ruth O’Leary, Ryohei Kawanishi, Sasha Geyer, Shahan Assadourian, Sophie Hardeman, Spencer Lai, Stefan Schwartzman, and Wiley Guillot. Muckleford: 3-ply, 2016

124,908, Tara McDowell. Muckleford: 3-ply, 2016

Habits and customs of _______ are so different from ours so that we visit them with the same sentiment that we visit exhibitions, Lu Huanzhi, Ho Tzu Nyen, Li Liao, Irena Haiduk, Siniša Ilić. Paris: Kadist and 3-ply, 2016

A Material Turn, Rebecca Coates et al. Muckleford: 3-ply, 2015

Foot-Notes, 3-ply et al. Muckleford: 3-ply, 2015

Painting is a Critical Form, Helen Johnson. Muckleford: 3-ply, 2015

Re-print #2: Shanghai Fax (1996) “Let’s Talk About Money”, Hank Bull, Shi Yong, Ding Yi,
Shen Fan, Zhou Tiehai et al. Muckleford: 3-ply, 2015

Re-print #1: 1 2 3 (1992), Stephen Bram. Muckleford: 3-ply, 2014

Tink Thank, Christopher L G Hill. Muckleford/Portland: 3-ply/Poly:be, 2014

More Than What There Is, Elizabeth Newman. Muckleford: 3-ply, 2013

Some Kinds of Duration, Nicholas Mangan. Muckleford: 3-ply, 2012

Matt Hinkley, Matt Hinkley. Melbourne: The Narrows, 2009