Museum Incognita — Fayen d'Evie

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With cane in hand... (2022) {~~~} ... , ... ; x (2021) Endnote: The Ethical Handling of Empty Spaces (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016)

3-ply Publishing Museum Incognita Re-Locating Echoes

Resume Biography Exhibitions Awards & Grants Authored Texts 3-Ply Publications Press & Critical Essays Contact Works With cane in hand... (2022) {~~~} ... , ... ; x (2021) Endnote: The Ethical Handling of Empty Spaces (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016) Projects 3-ply Publishing Museum Incognita Re-Locating Echoes Home

Museum Incognita

www.museumincognita.space

‘Museum Incognita, Boort Hands’ 2018. Museum Incognita Blindside. Carrying an invitation from Jida Gulpilil to care for sites and stories on Jarra Dja Dja Wurrung Yung Balug country. Blindside, Melbourne.

‘Museum Incognita, Boort Hands’ 2018. Museum Incognita Blindside. Carrying an invitation from Jida Gulpilil to care for sites and stories on Jarra Dja Dja Wurrung Yung Balug country. Blindside, Melbourne.

‘Museum Incognita, Boort Hands’ 2018. Museum Incognita Blindside. Carrying an invitation from Jida Gulpilil to care for sites and stories on Jarra Dja Dja Wurrung Yung Balug country. Blindside, Melbourne.

‘Museum Incognita - Belgrade’ 2017. When the Other Meets the Other Other. Museum Incognita (Fayen d'Evie and Katie West). Cultural Centre, Belgrade, Serbia. Photo by Boris Burić.

‘Museum Incognita - Belgrade’ 2017. When the Other Meets the Other Other. Museum Incognita (Fayen d'Evie and Katie West). Cultural Centre, Belgrade, Serbia. Photo by Boris Burić.

‘Museum Incognita - Belgrade’ 2017. When the Other Meets the Other Other. Museum Incognita (Fayen d'Evie and Katie West). Cultural Centre, Belgrade, Serbia. Photo by Boris Burić.

‘Museum Incognita - Belgrade’ 2017. When the Other Meets the Other Other. Museum Incognita (Fayen d'Evie and Katie West). Cultural Centre, Belgrade, Serbia. Photo by Boris Burić.

‘Museum Incognita - Belgrade’ 2017. When the Other Meets the Other Other. Museum Incognita (Fayen d'Evie and Katie West). Cultural Centre, Belgrade, Serbia. Photo by Boris Burić.

In conversation: Muckleford, 2016. A Year of Conscious Practice , Physics Room, Christchurch, New Zealand.

‘Museum Incognita-Beechworth’ 2018. A Thousand Times the Rolling Sun . Museum Incognita (Katie West and Fayen d’Evie). H.M. Prison Beechworth. Photo by Aaron Christopher Rees.

‘Museum Incognita-Beechworth’ 2018. A Thousand Times the Rolling Sun . H.M. Prison Beechworth. Photo by Aaron Christopher Rees.

‘Museum Incognita-Beechworth’ 2018. A Thousand Times the Rolling Sun . Museum Incognita (Katie West and Fayen d’Evie). H.M. Prison Beechworth. Photo by Aaron Christopher Rees.

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