Authored Texts
Fayen d’Evie, “Post-humanity”, Routledge Companion to Audiences and the Performing Arts, Ed. Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley. London: Routledge, 2022.
Fayen d’Evie, “From Dust to Dust: Hallucinating the Absent Exhibition,” Curating Access: Disability Art Activism and Creative Accommodation, Ed. Amanda Cachia. London: Routledge: 2022
Fayen d’Evie and Elizabeth Boon, “Ascending/Descending Sonic Shadows: Prologue + Tactile Reading Notes + Epilogue.” Art Writing in Crisis, Ed. Megan Patty and Brad Haylock. Berlin: Sternberg, 2021.
Fayen d’Evie, “Holding Eva Hesse [Treatment],” un Magazine 14.1, March, 2020.
Fayen d’Evie, “Cosmic Static”, Eavesdropping: A Reader, City Gallery, Melbourne Law School, and Liquid Architecture: Wellington, 2019.
Fayen d’Evie, “Re-describing the Periphery”, San Francisco: SFMOMA, 2019.
Fayen d’Evie, “Mother-Hooded”, Exhibition Text. Noriko Nakamura, The force that the warrior adopts during the evolution of the pale pink rose, Melbourne: Caves, 2019.
Fayen d’Evie, “Notes for Co-Becoming”, Catalogue Text. Katie West, Clearing, Healesville: TarraWarra Museum of Art, 2019.
Fayen d’Evie, “Kushana Bush: Actors Unmoored by the Wind”, Collection Text. Fifty Works in the Monash University Collection, MUMA, 2019.
Fayen d’Evie, “The Radical Potential of Blindness”, Art Journal, Vol 76, Issue 3-4, 2018
Fayen d’Evie and Georgina Kleege, “The Gravity, The Levity: Let Us Speak of Tactile Encounters”. Co-authored with Georgina Kleege. Disability Studies Quarterly, Vol 38, No 3, 2018.
Fayen d’Evie, “I Asked Her”, Unbag, Issue 2, Winter, 2018.
Fayen d’Evie, “Orienting Through Blindness: Blundering, Be-Holding and Wayfinding as Artistic and Curatorial Methods”, Performance Paradigm, Issue 13, 2017.
Fayen d’Evie, “Why Art Matters”. Catalogue Text. Refugees, Sydney: Casula Powerhouse, 2016.
Fayen d’Evie, “[SELF-TRANSLATION, RETRANSLATION] [AFTER FLUSSER] [EXCERPTS: THE MUSEUM OF HOLOGRAMS AND O-, F K-X D 2015]”, ELP 4, Melbourne: Christopher L G Hill, 2015.
Fayen d’Evie, “Now You See the Light, Man”, Stationary, Hong Kong: Spring Workshop, 2015
Fayen d’Evie, “Branches”. Exhibition Text. Hossein Valamanesh, Sydney: Casula Powerhouse, 2014
Fayen d’Evie, “Optical Co-Efficiency”. Catalogue Text. NEW 14, Melbourne: Australian Centre for Contemporary Art, 2014
Fayen d’Evie, “Please Insert This As The New Preface (I know a change is gonna come)/Reordering the Cosmos”, Westspace Journal, Issue 2, Summer, 2013
Fayen d’Evie, “Dispersed Truths and Displaced Memories: Extraterritorial Witnessing and Memorialising by Diaspora through Public Art”, Art of Transitional Justice. Ed. Peter Rush and Olivera Simic. New York: Springer, 2013
Fayen d’Evie, “un précis (6.1): mostly conclusions and a few introductions”, Endless Lonely Planet, Issue 2, Melbourne: Christopher L G Hill, 2013
Fayen d’Evie, “Feel the Fear.” Exhibition Text. Tony Garifalakis, Affirmations, Melbourne: Daine Singer Gallery, 2012
Fayen d’Evie, “Dear Chris." Exhibition Text. Christopher L.G.Hill, Problem Poem, Melbourne: Conical, 2012
Fayen d’Evie, “Instant Gratification." Review. Artpals, December, 2011
Fayen d’Evie, “When Cracks Appear: Pat Foster and Jen Berean and Broken Windows.” Discipline, Issue 1, 2011
Fayen d’Evie, “Notes from a Cretaceous World: Review." un Magazine, Issue 4.2, 2010
Fayen d’Evie, “End Times.” Catalogue Essay. Omega, Melbourne: Margaret Lawrence Gallery, 2010
Fayen d’Evie, “Blackout.” Exhibition Text. Tony Garifalakis, Bad Scene, Melbourne: Uplands Gallery, 2010
Fayen d’Evie, “Stuff and Nonsense." Exhibition Text. Lisa Radford and Kati Rule, De Tetris Totems, Melbourne: Sutton Projects, 2010
Fayen d’Evie, “James Deutsher: horoscope ecologies + We Are Building A Civilised Space Here." Review. Artpals, January, 2010
Fayen d’Evie, “Let’s All Go to Iraq”, un Magazine, Vol.2, Issue 1, 2008
Fayen d’Evie, “Waste Not, Want Not? Dirty Secrets and a Fetish for Trash.” Catalogue Essay. Ash Keating et al., 2020?, Next Wave Projects, 2008