Fayen d'Evie
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( reflecting air ) 2025 Wayfinding 'Sequence' (2018/25) Ill-formed. Cracked. Crazed. (2025) Holding (2025) ~~~~~ “…derelict in uncharted space…” (2023) With cane in hand... (2022) {~~~~} ... , ... , … ; x (2022) {~~~} ... , ... ; x  (2021) Endnote: The Ethical Handling of Empty Space (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) EE // HM [EAREYE // HANDMOUTH] (2016) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016)
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Works ( reflecting air ) 2025 Wayfinding 'Sequence' (2018/25) Ill-formed. Cracked. Crazed. (2025) Holding (2025) ~~~~~ “…derelict in uncharted space…” (2023) With cane in hand... (2022) {~~~~} ... , ... , … ; x (2022) {~~~} ... , ... ; x  (2021) Endnote: The Ethical Handling of Empty Space (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) EE // HM [EAREYE // HANDMOUTH] (2016) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016) Projects Access Lab and Library (ALL) 3-ply publishing Resume Biography Exhibitions / Performances Awards & Grants Writing Publishing Press & Critical Essays Contact Home
Fayen d'Evie
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.

Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’ The Score, Ian Potter Museum of Art, Melbourne.

 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.

Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’ The Score, Ian Potter Museum of Art, Melbourne.

 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.

Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’ The Score, Ian Potter Museum of Art, Melbourne.

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 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 

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