Fayen d'Evie
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With cane in hand... (2022) {~~~} ... , ... ; x  (2021) Endnote: The Ethical Handling of Empty Spaces (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016)
3-ply Publishing Museum Incognita Re-Locating Echoes
Resume Biography Exhibitions Awards & Grants Authored Texts 3-Ply Publications Press & Critical Essays Contact Works With cane in hand... (2022) {~~~} ... , ... ; x  (2021) Endnote: The Ethical Handling of Empty Spaces (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016) Projects 3-ply Publishing Museum Incognita Re-Locating Echoes Home
Fayen d'Evie
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.

Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’ The Score, Ian Potter Museum of Art, Melbourne.

 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.

Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’ The Score, Ian Potter Museum of Art, Melbourne.

 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.

Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’ The Score, Ian Potter Museum of Art, Melbourne.

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 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 Fayen d'Evie, Shelley Lasica and Bryan Phillips, 2017. ‘Story, as told.’  The Score,  Ian Potter Museum of Art, Melbourne.
 

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