Fayen d'Evie
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( reflecting air ) 2025 Wayfinding 'Sequence' (2018/25) Ill-formed. Cracked. Crazed. (2025) Holding (2025) ~~~~~ “…derelict in uncharted space…” (2023) With cane in hand... (2022) {~~~~} ... , ... , … ; x (2022) {~~~} ... , ... ; x  (2021) Endnote: The Ethical Handling of Empty Space (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) EE // HM [EAREYE // HANDMOUTH] (2016) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016)
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Biography Exhibitions / Performances Awards & Grants Writing Publishing Press & Critical Essays Contact
Works ( reflecting air ) 2025 Wayfinding 'Sequence' (2018/25) Ill-formed. Cracked. Crazed. (2025) Holding (2025) ~~~~~ “…derelict in uncharted space…” (2023) With cane in hand... (2022) {~~~~} ... , ... , … ; x (2022) {~~~} ... , ... ; x  (2021) Endnote: The Ethical Handling of Empty Space (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) EE // HM [EAREYE // HANDMOUTH] (2016) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016) Projects Access Lab and Library (ALL) 3-ply publishing Resume Biography Exhibitions / Performances Awards & Grants Writing Publishing Press & Critical Essays Contact Home
Fayen d'Evie
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 ‘Reading ‘Sequence’ / Tactile Re-call’ 2018.  With Seeing Hands.  Fayen d’Evie and Bryan Phillips. Incinerator, Melbourne. Photo by Nicola Dracoulis.

‘Reading ‘Sequence’ / Tactile Re-call’ 2018. With Seeing Hands. Fayen d’Evie and Bryan Phillips. Incinerator, Melbourne. Photo by Nicola Dracoulis.

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KateDisherQuill_Fayend'EvieWestSpace_68.jpeg
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GRPhoto_CM-DerelictShow_WEB-105.jpeg
Sequence 01.00_12_54_58.Still004.jpg
MCA_BellaRoom__2022_credit_JacquieManning-11.jpg
A MCA_BellaRoom_22_credit_JacquieManning-55.jpeg
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 'Cosmic Static' 2018.  Eavesdropping.  Fayen d'Evie and Jen Bervin, with Bryan Phillips and Andy Slater. Ian Potter Museum of Art, Melbourne. Installation detail. Photo by Bethany Woolfall.

'Cosmic Static' 2018. Eavesdropping. Fayen d'Evie and Jen Bervin, with Bryan Phillips and Andy Slater. Ian Potter Museum of Art, Melbourne. Installation detail. Photo by Bethany Woolfall.

 ‘Janaleen Sings, and Hides’ 2017/19. Fayen d’Evie and Trent Walter.

‘Janaleen Sings, and Hides’ 2017/19. Fayen d’Evie and Trent Walter.

 ‘Janaleen, Hides' 2017.  From One Body to Another . Sophie Takách and Fayen d'Evie, with Janaleen Wolfe, Ben Phillips and Bryan Phillips. Casula Powerhouse, Sydney. Photo by Pippa Samaya.

‘Janaleen, Hides' 2017. From One Body to Another. Sophie Takách and Fayen d'Evie, with Janaleen Wolfe, Ben Phillips and Bryan Phillips. Casula Powerhouse, Sydney. Photo by Pippa Samaya.

 ‘Shape of an Echo’ 2019.  Castlemaine State Festival.  Fayen d’Evie, Andy Slater, Anna Seymour, Pippa Samaya, with Ilana Gelbart and Jaycob Campbell. Old Castlemaine Hospital. Photo by Pippa Samaya.

‘Shape of an Echo’ 2019. Castlemaine State Festival. Fayen d’Evie, Andy Slater, Anna Seymour, Pippa Samaya, with Ilana Gelbart and Jaycob Campbell. Old Castlemaine Hospital. Photo by Pippa Samaya.

  Dust , 2018. Performance by Benjamin Hancock, in collaboration with Fayen d’Evie and Aaron McPeake. Creative development, Castlemaine Gaol, Dja Dja Wurrung. Photo by Pippa Samaya.

Dust, 2018. Performance by Benjamin Hancock, in collaboration with Fayen d’Evie and Aaron McPeake. Creative development, Castlemaine Gaol, Dja Dja Wurrung. Photo by Pippa Samaya.

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 Museum Incognita-Beechworth, 'A Thousand Times the Rolling Sun'.2018. Photo by Aaron Christopher Rees.

Museum Incognita-Beechworth, 'A Thousand Times the Rolling Sun'.2018. Photo by Aaron Christopher Rees.

 'Museum Incognita - Beechworth' 2018.  A Thousand Times the Rolling Sun.  Museum Incognita  ( Katie West and Fayen d'Evie). HM Prison Beechworth. Photo by Aaron Christopher Rees.

'Museum Incognita - Beechworth' 2018. A Thousand Times the Rolling Sun. Museum Incognita (Katie West and Fayen d'Evie). HM Prison Beechworth. Photo by Aaron Christopher Rees.

 'Tactile Dialogue [Shared Action]' 2016.  Human Commonalities.  Fayen d'Evie and Shelley Lasica. VAC and State Museum of Vadim Sidur, Moscow. Photo by Evgeniya Chapaykina.

'Tactile Dialogue [Shared Action]' 2016. Human Commonalities. Fayen d'Evie and Shelley Lasica. VAC and State Museum of Vadim Sidur, Moscow. Photo by Evgeniya Chapaykina.

 'Museum Incognita - Belgrade' 2017.  When the Other Meets the Other Other . Fayen d'Evie and Katie West. Cultural Centre, Belgrade. Photo by Boris Burić.

'Museum Incognita - Belgrade' 2017. When the Other Meets the Other Other. Fayen d'Evie and Katie West. Cultural Centre, Belgrade. Photo by Boris Burić.

 ‘Essays in Vibrational Poetics // ~~ // Typographic Notes’ 2020. Fayen d’Evie and Benjamin Hancock. Photography by Gregory Lorenzutti.

‘Essays in Vibrational Poetics // ~~ // Typographic Notes’ 2020. Fayen d’Evie and Benjamin Hancock. Photography by Gregory Lorenzutti.

©JanelleLow_2021_WestSpace_FayendEvie_web-17.jpg
On Care_MABF_page_13.jpeg
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IMG_0731_adjusted2.jpeg
Screenshot%2B2026-08-03%2Bat%2B6.54.57%25E2%2580%25AFpm.png
4 GK and HR Jompet_HR signal imaginary neck GK legs.jpg
 ‘Reading ‘Sequence’ / Tactile Re-call’ 2018.  With Seeing Hands.  Fayen d’Evie and Bryan Phillips. Incinerator, Melbourne. Photo by Nicola Dracoulis.
2019NAT_664.jpg
KateDisherQuill_Fayend'EvieWestSpace_68.jpeg
_0562708 copy.jpg
GRPhoto_CM-DerelictShow_WEB-67.jpeg
GRPhoto_CM-DerelictShow_WEB-105.jpeg
Sequence 01.00_12_54_58.Still004.jpg
MCA_BellaRoom__2022_credit_JacquieManning-11.jpg
A MCA_BellaRoom_22_credit_JacquieManning-55.jpeg
W BEN HANCOCK BUXTON FINAL.00_05_06_11.Still044.jpeg
 'Cosmic Static' 2018.  Eavesdropping.  Fayen d'Evie and Jen Bervin, with Bryan Phillips and Andy Slater. Ian Potter Museum of Art, Melbourne. Installation detail. Photo by Bethany Woolfall.
 ‘Janaleen Sings, and Hides’ 2017/19. Fayen d’Evie and Trent Walter.
 ‘Janaleen, Hides' 2017.  From One Body to Another . Sophie Takách and Fayen d'Evie, with Janaleen Wolfe, Ben Phillips and Bryan Phillips. Casula Powerhouse, Sydney. Photo by Pippa Samaya.
 ‘Shape of an Echo’ 2019.  Castlemaine State Festival.  Fayen d’Evie, Andy Slater, Anna Seymour, Pippa Samaya, with Ilana Gelbart and Jaycob Campbell. Old Castlemaine Hospital. Photo by Pippa Samaya.
  Dust , 2018. Performance by Benjamin Hancock, in collaboration with Fayen d’Evie and Aaron McPeake. Creative development, Castlemaine Gaol, Dja Dja Wurrung. Photo by Pippa Samaya.
D'EVIE_AI_Samstag_Duff_2021 (48).jpg
_DSC5021 crop2.jpg
Fayen+d%27Evie-7.jpg
_MG_2254.JPG
 Museum Incognita-Beechworth, 'A Thousand Times the Rolling Sun'.2018. Photo by Aaron Christopher Rees.
 'Museum Incognita - Beechworth' 2018.  A Thousand Times the Rolling Sun.  Museum Incognita  ( Katie West and Fayen d'Evie). HM Prison Beechworth. Photo by Aaron Christopher Rees.
 'Tactile Dialogue [Shared Action]' 2016.  Human Commonalities.  Fayen d'Evie and Shelley Lasica. VAC and State Museum of Vadim Sidur, Moscow. Photo by Evgeniya Chapaykina.
 'Museum Incognita - Belgrade' 2017.  When the Other Meets the Other Other . Fayen d'Evie and Katie West. Cultural Centre, Belgrade. Photo by Boris Burić.
 ‘Essays in Vibrational Poetics // ~~ // Typographic Notes’ 2020. Fayen d’Evie and Benjamin Hancock. Photography by Gregory Lorenzutti.
©JanelleLow_2021_WestSpace_FayendEvie_web-17.jpg
On Care_MABF_page_13.jpeg
 

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