Painting as Editing — Fayen d'Evie

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With cane in hand... (2022) {~~~} ... , ... ; x (2021) Endnote: The Ethical Handling of Empty Spaces (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016)

3-ply Publishing Museum Incognita Re-Locating Echoes

Resume Biography Exhibitions Awards & Grants Authored Texts 3-Ply Publications Press & Critical Essays Contact Works With cane in hand... (2022) {~~~} ... , ... ; x (2021) Endnote: The Ethical Handling of Empty Spaces (2021) ~~ // Typographic Notes (2020) Ascending/Descending Sonic Shadows (2019) Janaleen Sings, and Hides (2017/19) How Does a Straight Line Feel? (2019) Shape of an Echo / Hauntings (2019) {~~} ... , ... ; ... (2019) ~ // Typographic Notes (2019) Essays in Vibrational Poetics (2019) Cosmic Static (2018) Reading Sequence (2018) Museum Incognita - Beechworth (2018) SoVISA Galactic (2018) Dustcloud: Prologue (2018) From Dust to Dust: Prologue (2018) From One Body to Another (2017) Myopic Voices, Echoing Horsham (2017) Museum Incognita - Belgrade (2017) STORY, AS TOLD (2017) [...]{...}[...] (2016) Tactile Dialogues [Shared Action] (2016) Projects 3-ply Publishing Museum Incognita Re-Locating Echoes Home

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Fayen d’Evie and Bryan Phillips, ‘Reading ‘Sequence’ / Tactile Re-call,’ 2018. With Seeing Hands , Incinerator Gallery, 7 Apr - 20 May. Photo by Nicola Dracoulis.

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